Category Archives: In three sentences.

In Three Sentences… Intertextuality

We understand what things mean in reference to things that we have seen before.

We can see references made intentionally if we have a shared background of references.

But our unique collection of references can also lead us to whole new conversations and interpretations.

Intertextuality is one of my favourite ways of tracking meaning in a particular work – be it dance or writing – and opens up ways for linking ideas across time and mediums. Films are particularly big on making intertextual references, as this collection from Pixar will prove:

Intertextuality Reading List

Janet (Adshead) Lansdale: Dancing Texts: Intertextuality in Interpretation (well-written dance text)

… in fact most of the other texts I want to recommend are by Lansdale. Folks outside of dance, do you have any recommendations from your field?

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In Three Sentences… Phenomenology

We experience the world around us and out brains try and make sense of it.

We build structures of understanding based on the experiences we’ve had, that affect how we interpret future experiences.

So even as we think we are experiencing or expressing, what we are actually doing is fitting and filtering random information through a structure we invented to understand the universe… and offering new information to others as we go.

…..If you want a little more information, this might help:

Phenomenology reading list:

Remy Kwant: Phenomenology of Expression (highly recommend)

Maurice Merleau-Ponty: Phenomenology of Perception (core text)

Susan Sontag: On Photography (philosophy into art)

David Abram: Spell of the Sensuous (you’ll love it or you’ll hate it)